Seconds Before Coming was a solo performance about one woman's pursuit of pleasure - and the many selves she meets along the way. Through movement, monologue, and a shifting sense of time, the piece traced how memory, desire, and consent intertwine in the body. Moving between sharp humour and quiet reflection, it explored the tension between what we seek and what we carry. A deeply personal journey that invited us to witness, remember, and reckon.

This piece was incubated at The Third Eye, as part of its mentorship programme for Pleasure and Danger edition, which looked at sexuality from the lens of psyche.